DRAWINGS

This ongoing series of large-scale and smaller drawings present art museums from around the world (the new Tate Modern, EMST, the Acropolis Museum, WIELS, MACBA) along with monuments from the past, such as Stonehenge. They become bibliographic sculptures, in which the chunkiness of the codex is used as a building block, volumes literally volumising space, while a script of titles and authorial names is deployed across surfaces as if urban graffiti, or late-night neon inscription.